And in This Corner, Wearing the Producer’s Hat

I and fellow Seattle playwright John C. Davenport founded Red Rover Theatre Company last year in order to put our own work up on stage. So far we have produced a play of John’s last October and a production of my new play Das Ende just closed. Our bold and, […] Continue reading »

Learning by Stages

When actors are learning a role, the most important question they must answer for themselves is “What does my character want in this scene?” Another way they’ll ask that is “What is motivating my character at this moment?” If a character’s want and motivation are lacking, the actor has the misfortune […] Continue reading »

Behold, a New Play Opens

Tonight is a momentous event in the life of an obscure writer. After penning plays for 17 years and having readings and workshops of them, tonight marks the first time a Duane Kelly play is being fully staged. Wunderbar! The play, Das Ende (“The End” in German), involves the composer […] Continue reading »

Original Glimpses at Originality

Any book reporting on originality in human conduct is likely to attract the attention of artists, scientists, inventors and entrepreneurs of all stripes. Originals: How Non-Conformists Move the World, written by Adam Grant and published last year, dissects originality using the tools of social science. Grant is on the faculty […] Continue reading »