Stages of Doug Hughes

Something like a theatre express train has occasionally operated from Seattle to New York, conveying directors and executives eastbound. Notable passengers have been Dan Sullivan (Seattle Rep Artistic Director 1981-1997), Doug Hughes (Seattle Rep Associate Artistic Director 1984-1996), and Bart Sher (Intiman Theatre Artistic Director 2000-2010). All became A-list New […] Continue reading »

Free Speech Under Fire

Free speech is suffering collateral damage during America’s culture wars. Of late, theatre has been drug onto that battlefield, taking artillery fire from the far left of the political landscape. The Boycott, Divestment, Sanctions (BDS) movement, an anti-Israel group, tried to pressure Lincoln Center in New York to cancel the […] Continue reading »

Free Performance Shines Light on Censorship

The Seattle theatre community is coming together to celebrate free expression in the theater and raise awareness about censorship, in a one-night-only-performance of Banned Together: A Censorship Cabaret. And you are invited. DATE:  Monday, Sept. 25, 7:00 pm PLACE:  Bullitt Cabaret at ACT Theatre, 700 Union St., Seattle 98101 TICKETS: Admission is free. […] Continue reading »

Another Op’nin, Another Show

The road-weary theatre company in Cole Porter’s delightful 1949 musical Kiss Me, Kate raises the Act One curtain by singing “Another op’nin, another show,” After 18 years of writing plays, I was losing faith that I would ever have the occasion to sigh Porter’s famous lyrics. Until now, that is, […] Continue reading »

And in This Corner, Wearing the Producer’s Hat

I and fellow Seattle playwright John C. Davenport founded Red Rover Theatre Company last year in order to put our own work up on stage. So far we have produced a play of John’s last October and a production of my new play Das Ende just closed. Our bold and, […] Continue reading »

Behold, a New Play Opens

Tonight is a momentous event in the life of an obscure writer. After penning plays for 17 years and having readings and workshops of them, tonight marks the first time a Duane Kelly play is being fully staged. Wunderbar! The play, Das Ende (“The End” in German), involves the composer […] Continue reading »